The Theatre Centre BMO Incubator
1115 Queen Street West
Ticket Price: $15 Save with a Pass
Friday August 5th 4:00 PM - 5:00 PM
Saturday August 6th 8:00 PM - 9:00 PM
Sunday August 7th 10:30 PM - 11:30 PM
Monday August 8th 5:15 PM - 6:15 PM
Thursday August 11th 9:30 PM - 10:30 PM
Saturday August 13th 2:45 PM - 3:45 PM
Sunday August 14th 7:30 PM - 8:30 PM


Coarse Language.


“Field Notes –
September 1, 2020. I’ve arrived. The desert is a desert. There is only Margaret, her baby, and one doctor. The supply drop contained: tuna (live), salt tablets, and me. I parachuted out of a plane. It is… exciting…is the wrong word but it is the only one I have. The question: What is going on right here, right now?”

A darkly funny meditation on a world past the precipice, Extremophiles is an unconventional dissertation, a eulogy, and a mid-apocalyptic bedtime story. In the midst of a spontaneous pregnancy epidemic, only Margaret gives birth – to a very unusual baby. She is quarantined in the far North with her growing child. When April, an eager young anthropologist, arrives to chronicle the emerging society, she becomes more entangled than she anticipated. Featuring live visuals from SummerWorks favourites Caterwaul Theatre, Golden Age and Architect Theatre (Like There’s No Tomorrow, SummerWorks 2015) present Extremophiles, a new solo play written and performed by Georgina Beaty.


Golden Age in association with Architect Theatre

Directed by Megan Watson; Written + Performed by Georgina Beaty; Dramaturged by Karen Hines; Production Design by Patrick Lavender; Live Visuals by Caterwaul Theatre; Sound Design by Chris Stanton; Stage Management by Tamara Vuckovic; Production Management by Daniel Bennett; Produced by Sascha Cole, with Rashida Shaw.

Curator's Note

"There are a growing number of artistic responses to climate crisis but this is one that goes beyond. This is beautifully committed allegory – it touches a nerve as it presents an absurd and acutely recognizable dystopia that investigates the truth of the times in which we are living. It bends our brains in a delicious way and asks us to look at our state of affairs. It is a rigorously attacked performance, so earnest and intelligent it can only ring true." - Tara Beagan